liamoc.net
my forest
cmc and publish w38 wknotes
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\import{table-macros}
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\def\percent{\startverb%\stopverb
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}
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\parent{loc-000P}
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\title{Feast of St. Matthew 2025}
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\tag{cmc}
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\date{2025-09-21}
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\author{liamoc}
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\quote{
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Salus pópuli ego sum, dicit Dóminus: de quacúmque tribulatióne clamáverint ad me, exáudiam eos: et ero illórum Dóminus in perpétuum.
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\br
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Protexísti me Deus a convéntu malignántium, allelúia: a multitúdine operántium iniquitátem, allelúia, allelúia.
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\br
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Venite benedícti Patris mei, percípite regnum, allelúia: quod vobis parátum est aborigine mundi, allelúia, allelúia, allelúia.
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}
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\p{Our choir at [All Saints Ainslie](https://allsaintsainslie.org.au) was in relatively full numbers, except that we had zero altos and no director. I filled in as director and appointed a few of our singers to cover the alto part for one of my favourite motets, Byrd's [Ave Verum Corpus](https://www.youtube.com/watch?v=R3vuU7XAaUM). We were originally set to sing Lloyd's \em{Benedicta sit} (for which I can find no recording), but the substitution was made to a more familiar anthem due to our shortage of altos and a director.}
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\quote{
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\table{
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\tr{
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\td{Ave verum corpus natum de María Vírgine,}
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\td{Hail, true body, born of the Virgin Mary,}
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}\tr{
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\td{Vere passum immolátum in cruce pro hómine,}
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\td{True suffering, sacrificed on the cross for Man,}
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}\tr{
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\td{Cuius latus perforátum unda fluxit sánguine,}
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\td{From whose pierced side flowed waves of blood,}
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}\tr{
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\td{Esto nobis prægustátum in mortis exámine.}
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\td{Be for us a foretaste in death's trial.}
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}\tr{
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\td{O dulcis, O pie, O Iesu fili Maríæ,}
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\td{O sweet! O blessed! O Jesus, son of Mary, }
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}\tr{
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\td{Miserére mei, miserére mei, miserére mei.}
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\td{Have mercy on me, have mercy on me, have mercy on me. }
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}
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}
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}
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\p{We sang at the front of the church today (as we had no organ) which I think gave a better acoustic. We got many complements after the service.}
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