Monorepo for Aesthetic.Computer aesthetic.computer

chore: rebuild all papers + fedac and nixos working changes

Full papers rebuild with updated card conversions and deployed PDFs.
Includes in-progress fedac native and nixos USB image changes.

Co-Authored-By: Claude Opus 4.6 (1M context) <noreply@anthropic.com>

+210 -165
+2
dotfiles/dot_config/fish/conf.d/nix.fish
··· 1 + 2 + if test -e /home/me/.nix-profile/etc/profile.d/nix.fish; . /home/me/.nix-profile/etc/profile.d/nix.fish; end # added by Nix installer
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papers/arxiv-ac/ac-da.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:25 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:23 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled. ··· 1815 1815 LaTeX Font Info: Font shape `TU/LatinModernMono(0)/m/it' will be 1816 1816 (Font) scaled to size 8.50006pt on input line 513. 1817 1817 (./ac-da.bbl 1818 - Underfull \hbox (badness 4084) in paragraph at lines 46--52 1818 + Underfull \hbox (badness 4084) in paragraph at lines 51--57 1819 1819 []\TU/LatinModernRoman(0)/m/sc/10 Mitchel Resnick, John Maloney, Andrés Monroy- 1820 1820 1821 1821 []
papers/arxiv-ac/ac-da.pdf

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papers/arxiv-ac/ac-es.log
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papers/arxiv-ac/ac-es.pdf

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papers/arxiv-ac/ac-zh.log
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papers/arxiv-api/api-da.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:26 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:24 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
papers/arxiv-api/api-da.pdf

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papers/arxiv-api/api-zh.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:26 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:24 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
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papers/arxiv-archaeology/archaeology-da.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:26 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:24 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
papers/arxiv-archaeology/archaeology-da.pdf

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papers/arxiv-archaeology/archaeology-es.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:26 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:25 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
papers/arxiv-archaeology/archaeology-es.pdf

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papers/arxiv-archaeology/archaeology-zh.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:26 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:25 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled. ··· 1765 1765 Here is how much of TeX's memory you used: 1766 1766 23082 strings out of 478682 1767 1767 465865 string characters out of 5849006 1768 - 1897018 words of memory out of 6000000 1768 + 1898018 words of memory out of 6000000 1769 1769 42860 multiletter control sequences out of 15000+600000 1770 1770 515552 words of font info for 113 fonts, out of 8000000 for 9000 1771 1771 14 hyphenation exceptions out of 8191
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papers/arxiv-calarts/calarts.log
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papers/arxiv-complex/complex-da.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:30 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:37 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
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papers/arxiv-complex/complex-es.log
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papers/arxiv-complex/complex-zh.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:30 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:37 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
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papers/arxiv-complex/complex.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 28 MAR 2026 16:01 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:37 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
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papers/arxiv-dead-ends/dead-ends-zh.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:27 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:25 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
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papers/arxiv-diversity/diversity-zh.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:27 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:26 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
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papers/arxiv-diversity/diversity.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 28 MAR 2026 15:55 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:25 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
papers/arxiv-diversity/diversity.pdf

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papers/arxiv-folk-songs/folk-songs-da.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:29 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:36 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled. ··· 1116 1116 ) 1117 1117 \Hy@SectionHShift=\skip83 1118 1118 ) 1119 - Package hyperref Info: Option `colorlinks' set `true' on input line 244. 1120 - Package hyperref Info: Option `breaklinks' set `true' on input line 244. 1119 + Package hyperref Info: Option `colorlinks' set `true' on input line 267. 1120 + Package hyperref Info: Option `breaklinks' set `true' on input line 267. 1121 1121 1122 1122 (/usr/share/texlive/texmf-dist/tex/latex/titlesec/titletoc.sty 1123 1123 Package: titletoc 2021/07/05 v2.14 TOC entries ··· 2090 2090 2091 2091 LaTeX Font Info: Font shape `TU/latinmodern-math.otf(2)/m/n' will be 2092 2092 (Font) scaled to size 12.00128pt on input line 167. 2093 - LaTeX Font Info: Font shape `TU/latinmodern-math.otf(2)/m/n' will be 2094 - (Font) scaled to size 8.00085pt on input line 167. 2095 - LaTeX Font Info: Font shape `TU/latinmodern-math.otf(2)/m/n' will be 2096 - (Font) scaled to size 6.00064pt on input line 167. 2097 2093 LaTeX Font Info: Font shape `TU/latinmodern-math.otf(3)/m/n' will be 2098 2094 (Font) scaled to size 11.99872pt on input line 167. 2099 - LaTeX Font Info: Font shape `TU/latinmodern-math.otf(3)/m/n' will be 2100 - (Font) scaled to size 7.99915pt on input line 167. 2101 - LaTeX Font Info: Font shape `TU/latinmodern-math.otf(3)/m/n' will be 2102 - (Font) scaled to size 5.99936pt on input line 167. 2103 2095 2104 2096 Overfull \hbox (138.34966pt too wide) in alignment at lines 178--178 2105 2097 [][][] ··· 2249 2241 (rerunfilecheck) Checksum: 1DEC94D1D8092BE0FBEE19B08BFAC054;1512. 2250 2242 ) 2251 2243 Here is how much of TeX's memory you used: 2252 - 35783 strings out of 478682 2253 - 727169 string characters out of 5849006 2244 + 35792 strings out of 478682 2245 + 727566 string characters out of 5849006 2254 2246 1856018 words of memory out of 6000000 2255 - 55289 multiletter control sequences out of 15000+600000 2256 - 517171 words of font info for 123 fonts, out of 8000000 for 9000 2247 + 55295 multiletter control sequences out of 15000+600000 2248 + 517195 words of font info for 126 fonts, out of 8000000 for 9000 2257 2249 14 hyphenation exceptions out of 8191 2258 2250 98i,11n,115p,1010b,1038s stack positions out of 10000i,1000n,20000p,200000b,200000s 2259 2251
+7 -15
papers/arxiv-folk-songs/folk-songs-es.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:30 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:36 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled. ··· 1116 1116 ) 1117 1117 \Hy@SectionHShift=\skip83 1118 1118 ) 1119 - Package hyperref Info: Option `colorlinks' set `true' on input line 244. 1120 - Package hyperref Info: Option `breaklinks' set `true' on input line 244. 1119 + Package hyperref Info: Option `colorlinks' set `true' on input line 267. 1120 + Package hyperref Info: Option `breaklinks' set `true' on input line 267. 1121 1121 1122 1122 (/usr/share/texlive/texmf-dist/tex/latex/titlesec/titletoc.sty 1123 1123 Package: titletoc 2021/07/05 v2.14 TOC entries ··· 2017 2017 2018 2018 LaTeX Font Info: Font shape `TU/latinmodern-math.otf(2)/m/n' will be 2019 2019 (Font) scaled to size 12.00128pt on input line 167. 2020 - LaTeX Font Info: Font shape `TU/latinmodern-math.otf(2)/m/n' will be 2021 - (Font) scaled to size 8.00085pt on input line 167. 2022 - LaTeX Font Info: Font shape `TU/latinmodern-math.otf(2)/m/n' will be 2023 - (Font) scaled to size 6.00064pt on input line 167. 2024 2020 LaTeX Font Info: Font shape `TU/latinmodern-math.otf(3)/m/n' will be 2025 2021 (Font) scaled to size 11.99872pt on input line 167. 2026 - LaTeX Font Info: Font shape `TU/latinmodern-math.otf(3)/m/n' will be 2027 - (Font) scaled to size 7.99915pt on input line 167. 2028 - LaTeX Font Info: Font shape `TU/latinmodern-math.otf(3)/m/n' will be 2029 - (Font) scaled to size 5.99936pt on input line 167. 2030 2022 2031 2023 Overfull \hbox (122.59262pt too wide) in alignment at lines 178--178 2032 2024 [][][] ··· 2126 2118 (rerunfilecheck) Checksum: 4967E59C53B1C20F4878BF3406640F4E;1652. 2127 2119 ) 2128 2120 Here is how much of TeX's memory you used: 2129 - 35784 strings out of 478682 2130 - 727131 string characters out of 5849006 2121 + 35793 strings out of 478682 2122 + 727528 string characters out of 5849006 2131 2123 1856018 words of memory out of 6000000 2132 - 55291 multiletter control sequences out of 15000+600000 2133 - 517163 words of font info for 122 fonts, out of 8000000 for 9000 2124 + 55297 multiletter control sequences out of 15000+600000 2125 + 517187 words of font info for 125 fonts, out of 8000000 for 9000 2134 2126 14 hyphenation exceptions out of 8191 2135 2127 98i,11n,115p,1010b,1048s stack positions out of 10000i,1000n,20000p,200000b,200000s 2136 2128
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papers/arxiv-folk-songs/folk-songs-zh.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:30 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:37 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled. ··· 1222 1222 ) 1223 1223 \Hy@SectionHShift=\skip91 1224 1224 ) 1225 - Package hyperref Info: Option `colorlinks' set `true' on input line 244. 1226 - Package hyperref Info: Option `breaklinks' set `true' on input line 244. 1225 + Package hyperref Info: Option `colorlinks' set `true' on input line 267. 1226 + Package hyperref Info: Option `breaklinks' set `true' on input line 267. 1227 1227 1228 1228 (/usr/share/texlive/texmf-dist/tex/latex/titlesec/titletoc.sty 1229 1229 Package: titletoc 2021/07/05 v2.14 TOC entries ··· 2258 2258 (rerunfilecheck) Checksum: 4AC17896AA8136F9B56E410D4CB1E9A0;792. 2259 2259 ) 2260 2260 Here is how much of TeX's memory you used: 2261 - 37701 strings out of 478682 2262 - 794409 string characters out of 5849006 2261 + 37739 strings out of 478682 2262 + 795823 string characters out of 5849006 2263 2263 1862018 words of memory out of 6000000 2264 - 57192 multiletter control sequences out of 15000+600000 2265 - 516138 words of font info for 121 fonts, out of 8000000 for 9000 2264 + 57218 multiletter control sequences out of 15000+600000 2265 + 517272 words of font info for 133 fonts, out of 8000000 for 9000 2266 2266 14 hyphenation exceptions out of 8191 2267 2267 98i,11n,115p,1010b,1020s stack positions out of 10000i,1000n,20000p,200000b,200000s 2268 2268
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papers/arxiv-folk-songs/folk-songs.log
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papers/arxiv-goodiepal/goodiepal-cards.toc
··· 11 11 \contentsline {section}{\numberline {5}Unscannable Artifacts}{17}{section.5}% 12 12 \contentsline {subsection}{\numberline {5.1}Immediate-Mode as Resistance to Capture}{18}{subsection.5.1}% 13 13 \contentsline {subsection}{\numberline {5.2}The Poor Image, Inverted}{19}{subsection.5.2}% 14 - \contentsline {section}{\numberline {6}Radical Pedagogy}{20}{section.6}% 15 - \contentsline {subsection}{\numberline {6.1}Learning Through the Prompt}{21}{subsection.6.1}% 16 - \contentsline {subsection}{\numberline {6.2}The snappidaggs Archive}{22}{subsection.6.2}% 17 - \contentsline {section}{\numberline {7}Conclusion}{23}{section.7}% 14 + \contentsline {subsection}{\numberline {5.3}Glitch as the Inverse Unscannable}{19}{subsection.5.3}% 15 + \contentsline {section}{\numberline {6}Radical Pedagogy}{23}{section.6}% 16 + \contentsline {subsection}{\numberline {6.1}Learning Through the Prompt}{24}{subsection.6.1}% 17 + \contentsline {subsection}{\numberline {6.2}The snappidaggs Archive}{25}{subsection.6.2}% 18 + \contentsline {section}{\numberline {7}Conclusion}{26}{section.7}% 18 19 \contentsfinish
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papers/arxiv-goodiepal/goodiepal-da.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:27 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:26 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
papers/arxiv-goodiepal/goodiepal-da.pdf

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papers/arxiv-goodiepal/goodiepal-es.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:27 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:26 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
papers/arxiv-goodiepal/goodiepal-es.pdf

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papers/arxiv-goodiepal/goodiepal-zh.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:27 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:26 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
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papers/arxiv-goodiepal/goodiepal.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 28 MAR 2026 15:56 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:26 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
papers/arxiv-goodiepal/goodiepal.pdf

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+24
papers/arxiv-holden/holden-cards.toc
··· 1 + \contentsline {section}{\numberline {1}Introduction: Two Instrument Makers}{4}{section.1}% 2 + \contentsline {section}{\numberline {2}Holden's Theory: A Summary}{6}{section.2}% 3 + \contentsline {subsection}{\numberline {2.1}The Module}{6}{subsection.2.1}% 4 + \contentsline {subsection}{\numberline {2.2}Isochronous Grouping}{7}{subsection.2.2}% 5 + \contentsline {subsection}{\numberline {2.3}Attention as Primary Faculty}{8}{subsection.2.3}% 6 + \contentsline {subsection}{\numberline {2.4}Bottom-Up and Top-Down Processing}{8}{subsection.2.4}% 7 + \contentsline {subsection}{\numberline {2.5}The Fundamental Bass as Cognitive Artifact}{9}{subsection.2.5}% 8 + \contentsline {section}{\numberline {3}The Scottish Enlightenment Context}{11}{section.3}% 9 + \contentsline {section}{\numberline {4}Convergences}{13}{section.4}% 10 + \contentsline {subsection}{\numberline {4.1}The Module and the Piece Lifecycle}{13}{subsection.4.1}% 11 + \contentsline {subsection}{\numberline {4.2}Attention and Immediate-Mode Rendering}{15}{subsection.4.2}% 12 + \contentsline {subsection}{\numberline {4.3}Constraint as Epistemological Advantage}{16}{subsection.4.3}% 13 + \contentsline {subsection}{\numberline {4.4}Our Nurses' Tunes: Folk Materials as Foundation}{18}{subsection.4.4}% 14 + \contentsline {subsection}{\numberline {4.5}Embodied Learning without Curriculum}{20}{subsection.4.5}% 15 + \contentsline {subsection}{\numberline {4.6}Notation as Performative Interface}{21}{subsection.4.6}% 16 + \contentsline {section}{\numberline {5}Advancing Holden's Program}{23}{section.5}% 17 + \contentsline {subsection}{\numberline {5.1}The Module as Testable Computational Construct}{23}{subsection.5.1}% 18 + \contentsline {subsection}{\numberline {5.2}Subjective Rhythmicization in Interactive Systems}{24}{subsection.5.2}% 19 + \contentsline {subsection}{\numberline {5.3}The Universalism Problem}{25}{subsection.5.3}% 20 + \contentsline {subsection}{\numberline {5.4}Attention Tracking in Real-Time Creative Computing}{27}{subsection.5.4}% 21 + \contentsline {subsection}{\numberline {5.5}Anne Young's Games and Ludic Pedagogy}{28}{subsection.5.5}% 22 + \contentsline {section}{\numberline {6}The Outsider's Advantage}{30}{section.6}% 23 + \contentsline {section}{\numberline {7}Conclusion: A Living Laboratory}{32}{section.7}% 24 + \contentsfinish
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papers/arxiv-kidlisp-cards/kidlisp-cards.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 28 MAR 2026 16:01 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:38 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
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papers/arxiv-kidlisp-reference/kidlisp-reference-zh.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:28 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:28 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled. ··· 1302 1302 Here is how much of TeX's memory you used: 1303 1303 23198 strings out of 478682 1304 1304 460830 string characters out of 5849006 1305 - 2419018 words of memory out of 6000000 1305 + 2420018 words of memory out of 6000000 1306 1306 42964 multiletter control sequences out of 15000+600000 1307 1307 515632 words of font info for 123 fonts, out of 8000000 for 9000 1308 1308 14 hyphenation exceptions out of 8191
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papers/arxiv-kidlisp/kidlisp-da.log
··· 1 - This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 27 MAR 2026 08:28 1 + This is XeTeX, Version 3.141592653-2.6-0.999995 (TeX Live 2023) (preloaded format=xelatex 2026.3.17) 5 APR 2026 18:27 2 2 entering extended mode 3 3 restricted \write18 enabled. 4 4 %&-line parsing enabled.
papers/arxiv-kidlisp/kidlisp-da.pdf

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papers/arxiv-kidlisp/kidlisp-es.log
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papers/arxiv-notepat/notepat-cards.toc
··· 1 1 \contentsline {section}{\numberline {1}Introduction}{5}{section.1}% 2 - \contentsline {section}{\numberline {2}Origins (June--July 2024)}{6}{section.2}% 3 - \contentsline {section}{\numberline {3}Feature Growth}{8}{section.3}% 4 - \contentsline {subsection}{\numberline {3.1}Audio engine (2024--2025)}{8}{subsection.3.1}% 5 - \contentsline {subsection}{\numberline {3.2}Input and hardware (2024--2026)}{9}{subsection.3.2}% 6 - \contentsline {subsection}{\numberline {3.3}Visual design}{10}{subsection.3.3}% 7 - \contentsline {subsection}{\numberline {3.4}DAW integration: Ableton Live}{11}{subsection.3.4}% 8 - \contentsline {subsection}{\numberline {3.5}Network and system integration}{12}{subsection.3.5}% 9 - \contentsline {section}{\numberline {4}The Bare-Metal Port}{14}{section.4}% 10 - \contentsline {section}{\numberline {5}Derivatives and Reuse}{16}{section.5}% 11 - \contentsline {section}{\numberline {6}Infrastructure Pulled into Existence}{18}{section.6}% 12 - \contentsline {subsection}{\numberline {6.1}Routing and branding}{18}{subsection.6.1}% 13 - \contentsline {subsection}{\numberline {6.2}Testing infrastructure}{18}{subsection.6.2}% 14 - \contentsline {subsection}{\numberline {6.3}Piece-hit analytics}{19}{subsection.6.3}% 15 - \contentsline {section}{\numberline {7}Political Economy of a Piece}{21}{section.7}% 16 - \contentsline {section}{\numberline {8}Current Scale}{24}{section.8}% 17 - \contentsline {section}{\numberline {9}Conclusion}{25}{section.9}% 2 + \contentsline {section}{\numberline {2}Origins (June--July 2024)}{7}{section.2}% 3 + \contentsline {section}{\numberline {3}Feature Growth}{9}{section.3}% 4 + \contentsline {subsection}{\numberline {3.1}Audio engine (2024--2025)}{9}{subsection.3.1}% 5 + \contentsline {subsection}{\numberline {3.2}Input and hardware (2024--2026)}{10}{subsection.3.2}% 6 + \contentsline {subsection}{\numberline {3.3}Visual design}{11}{subsection.3.3}% 7 + \contentsline {subsection}{\numberline {3.4}DAW integration: Ableton Live}{12}{subsection.3.4}% 8 + \contentsline {subsection}{\numberline {3.5}Network and system integration}{13}{subsection.3.5}% 9 + \contentsline {section}{\numberline {4}The Bare-Metal Port}{15}{section.4}% 10 + \contentsline {section}{\numberline {5}Derivatives and Reuse}{17}{section.5}% 11 + \contentsline {section}{\numberline {6}Infrastructure Pulled into Existence}{19}{section.6}% 12 + \contentsline {subsection}{\numberline {6.1}Routing and branding}{19}{subsection.6.1}% 13 + \contentsline {subsection}{\numberline {6.2}Testing infrastructure}{19}{subsection.6.2}% 14 + \contentsline {subsection}{\numberline {6.3}Piece-hit analytics}{20}{subsection.6.3}% 15 + \contentsline {section}{\numberline {7}Political Economy of a Piece}{22}{section.7}% 16 + \contentsline {section}{\numberline {8}Current Scale}{25}{section.8}% 17 + \contentsline {section}{\numberline {9}Conclusion}{26}{section.9}% 18 18 \contentsfinish
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papers/arxiv-plork/plork-cards.toc
··· 33 33 \contentsline {section}{\numberline {8}What PLOrk Got Right (And What It Missed)}{38}{section.8}% 34 34 \contentsline {section}{\numberline {9}Music, Access, and Political Economy}{41}{section.9}% 35 35 \contentsline {section}{\numberline {10}Related Work}{44}{section.10}% 36 - \contentsline {section}{\numberline {11}Lessons from OLPC}{46}{section.11}% 37 - \contentsline {section}{\numberline {12}Limitations}{49}{section.12}% 38 - \contentsline {section}{\numberline {13}Implications and Future Work}{54}{section.13}% 39 - \contentsline {subsection}{\numberline {13.1}ARM Chromebook Support}{54}{subsection.13.1}% 40 - \contentsline {subsection}{\numberline {13.2}Built-In Composition Tools}{54}{subsection.13.2}% 41 - \contentsline {subsection}{\numberline {13.3}Spatialization Without Speakers}{54}{subsection.13.3}% 42 - \contentsline {subsection}{\numberline {13.4}Curriculum Development}{55}{subsection.13.4}% 43 - \contentsline {subsection}{\numberline {13.5}Mesh Networking}{55}{subsection.13.5}% 44 - \contentsline {section}{\numberline {14}Conclusion}{56}{section.14}% 36 + \contentsline {section}{\numberline {11}Lessons from OLPC}{47}{section.11}% 37 + \contentsline {section}{\numberline {12}Limitations}{50}{section.12}% 38 + \contentsline {section}{\numberline {13}Implications and Future Work}{55}{section.13}% 39 + \contentsline {subsection}{\numberline {13.1}ARM Chromebook Support}{55}{subsection.13.1}% 40 + \contentsline {subsection}{\numberline {13.2}Built-In Composition Tools}{55}{subsection.13.2}% 41 + \contentsline {subsection}{\numberline {13.3}Spatialization Without Speakers}{55}{subsection.13.3}% 42 + \contentsline {subsection}{\numberline {13.4}Curriculum Development}{56}{subsection.13.4}% 43 + \contentsline {subsection}{\numberline {13.5}Mesh Networking}{56}{subsection.13.5}% 44 + \contentsline {section}{\numberline {14}Conclusion}{57}{section.14}% 45 45 \contentsfinish
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papers/arxiv-whistlegraph/whistlegraph-cards.toc
··· 2 2 \contentsline {section}{\numberline {2}The Form}{7}{section.2}% 3 3 \contentsline {subsection}{\numberline {2.1}Structure}{7}{subsection.2.1}% 4 4 \contentsline {subsection}{\numberline {2.2}Duration and Constraint}{8}{subsection.2.2}% 5 - \contentsline {section}{\numberline {3}Origins}{10}{section.3}% 6 - \contentsline {subsection}{\numberline {3.1}Radical Digital Painting}{10}{subsection.3.1}% 7 - \contentsline {subsection}{\numberline {3.2}COVID-19 and the Trio}{11}{subsection.3.2}% 8 - \contentsline {section}{\numberline {4}Virality}{12}{section.4}% 9 - \contentsline {subsection}{\numberline {4.1}Growth}{12}{subsection.4.1}% 10 - \contentsline {subsection}{\numberline {4.2}Why It Worked on TikTok}{12}{subsection.4.2}% 11 - \contentsline {section}{\numberline {5}Institutional Reception}{14}{section.5}% 12 - \contentsline {section}{\numberline {6}The Music}{16}{section.6}% 13 - \contentsline {section}{\numberline {7}Separation and Continuation}{17}{section.7}% 14 - \contentsline {section}{\numberline {8}The Graphic Score as Interface}{19}{section.8}% 15 - \contentsline {section}{\numberline {9}Conclusion}{20}{section.9}% 5 + \contentsline {section}{\numberline {3}Origins}{11}{section.3}% 6 + \contentsline {subsection}{\numberline {3.1}Radical Digital Painting}{11}{subsection.3.1}% 7 + \contentsline {subsection}{\numberline {3.2}COVID-19 and the Trio}{12}{subsection.3.2}% 8 + \contentsline {section}{\numberline {4}Virality}{13}{section.4}% 9 + \contentsline {subsection}{\numberline {4.1}Growth}{13}{subsection.4.1}% 10 + \contentsline {subsection}{\numberline {4.2}Why It Worked on TikTok}{13}{subsection.4.2}% 11 + \contentsline {section}{\numberline {5}Institutional Reception}{15}{section.5}% 12 + \contentsline {section}{\numberline {6}The Music}{18}{section.6}% 13 + \contentsline {section}{\numberline {7}Separation and Continuation}{19}{section.7}% 14 + \contentsline {section}{\numberline {8}The Graphic Score as Interface}{21}{section.8}% 15 + \contentsline {section}{\numberline {9}Conclusion}{22}{section.9}% 16 16 \contentsfinish
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